Bleaberry Fell Hike: A Tale of Persistence, Swarms, and Black & White Magic
Embarking on a captivating trek from Castlerigg Hall campsite, the picturesque Walla Crag trail to Bleaberry Fell promises ethereal views that sing nature's praises. With the trusty Contax TVS camera in tow, every step brings forth a spectacle - from vibrant heather fields to the mesmerizing interplay of light and shadow. Yet, challenges abound. From pesky swarms of flies threatening to cut the journey short to gusty winds narrating tales of impending storms. But the true reward? A chance, unexpected encounter near journey's end. Keswick town, the shimmering Bassenthwaite Lake, and the looming Skiddaw mountain all under the watchful eyes of a serene herd of sheep. Discover how a hike, laden with trials, culminates in capturing a moment that's nothing short of magic. Dive into a world where life's beauty isn't just seen in a riot of colors, but also in the nuanced shades of grey.
Pedals, Paddles, and Shutter Clicks
Soon we set off for our annual adventure to the enchanting Lake District. Packed in our trusty VW T25 camper-van "Nobby," armed to the teeth with bikes, boats and film cameras to capture breathtaking landscapes and moments. From the versatile Olympus OM-1 to artistic Noon 6x6 Pinhole Camera, we're set for an extraordinary 10-day journey, embracing nature's wonders and creative expression, creating memories to cherish forever.
Beyond Display
As a devoted film photography enthusiast and dedicated darkroom artist, I find myself reflecting on my substantial collection of darkroom prints. Initially intending to explore traditional ways of displaying my work, I realise that none truly resonate with me. The idea of setting up an exhibition space in a gallery or artisan cafe feels overwhelming, and replicating my prints in a 'zine' seems to compromise their authenticity. Spending hours behind a craft fair booth also doesn't align with my artistic purpose. Instead, I find joy in the creative process itself - capturing new images in the field and immersing myself in the darkroom. While I acknowledge the value of displaying my prints, I’m pulled toward the artistic journey and cherishing the process of creation over seeking external validation.
The use of AI in photography
The use of AI in photography is not entirely new and initially focused on improving image quality. Today, these AI-powered tools are continuously being refined and improved. One of the latest advancements is leveraging generative AI to help creators make photographs without the need for a physical camera. The rise in popularity of camera-less AI image generation has raised legal and ethical concerns that demand attention - is it possible to strike a balance between innovation and the protection of intellectual property rights, consent, and privacy?
The Lost Art of Printing Photos: Celebrating the Beauty of Darkroom Prints
In today's digital age, printing photos has become a neglected tradition, with people opting for instant sharing and storing of images. However, the art of darkroom printing offers a unique and magical experience, allowing for meticulous control and a tangible connection to the image-making process. The beauty of darkroom prints lies in their craftsmanship, tactile quality, and ability to evoke emotions in ways that digital images often cannot.
Shooting on Film
I’ve chosen to shoot exclusively on film for the past five years largely because I love its look and the process behind it. Film captures light with a warmth and depth that still feels unique, and working in the darkroom mixing chemicals, developing negatives, and making prints gives me a level of craftsmanship and control that I find deeply rewarding. It also slows me down, encouraging more thoughtful compositions and a stronger connection to each image I make.
Using Polaroid with B&W i-Type Film for the First Time
As soon as I arrived at the beach, I knew that the B&W i-Type film was going to be perfect for the moody, atmospheric shots I had in mind. The film has a high ISO of 800, which means it performs well in low light conditions, making it perfect for capturing the rough, weathered boats against the overcast sky.
Developing Milestones
I had low expectations for the roll of HP5 these prints came from after it sat in my OM-1 for nearly two months and proved frustratingly curly to spool. Despite that, it marks a milestone for me as the first negatives I developed using chemicals I sourced and mixed myself, following a Kodak D-23 recipe from The Darkroom Cookbook by Steve Anchell. The formula is simple, but seeing such satisfying results from a developer I made myself felt incredibly rewarding and has encouraged me to experiment with more homemade darkroom chemistry.